” The lights sank, the prelude to the third act was beginning, the music rose and fell in crowded intimations of lovers separated—lovers separated with scars and memories between them, and the curtain went reefing up to display Tristan lying wounded on his couch and the shepherd crouching with his pipe. At the end of two long lines of foot-guards stood the cart with a powerful black horse harnessed to it. "That's fine," said O'Higgins. Once before—but that had been different.
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