The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. “Good-looking rascal she met at Worthing. As he stood upon the bridge, he held down the light, and looked into the profound abyss. I studied violin with a teacher when I was younger,” she said. “We are both of us trenching upon forbidden ground,” she said. She was inclined to think that perhaps for a girl the converse of his method was the case; an older man, a man beyond the range of anything “nonsensical,” was, perhaps, the most interesting sort of friend one could meet. I’m not to study, I’m not to grow.
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