CHAPTER THE SECOND ANN VERONICA GATHERS POINTS OF VIEW Part 1 “Are you coming to the Fadden Dance, Ann Veronica?” asked Constance Widgett. " "You terrify me," cried Mrs. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. While he was meditating flight in this way, and tossing about on the straw, he chanced upon an old broken and rusty fork. This also struck her as odd. They ascended by a lift to one of the upper floors, passed through a long ward, and finally came to a bed in the extreme corner, round which a screen had been arranged. ” Manning tapped with his racket on the turf through some moments of silence. But at the beginning of the affray, when he thought every one was too much occupied with his own concerns to remark his absence, he slipped out of the room, not for the purpose of avoiding the engagement (for cowardice was not one of his failings), but because he had another object in view.
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