The teacher droned on and on about the mournful funerary love of Romeo and Juliet, a tale she had long since tired of. She was dressed in a tattered black stuff gown, discoloured by various stains, and intended, it would seem, from the remnants of rusty crape with which it was here and there tricked out, to represent the garb of widowhood, and held in her arms a sleeping infant, swathed in the folds of a linsey-woolsey shawl. “His love-making,” she remarked, “struck me as unconvincing.
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