"They imagine their work is done. They sat face to face beneath an experienced-looking rucksack and a brand new portmanteau and a leather handbag, in the afternoon-boat train that goes from Charing Cross to Folkestone for Boulogne. Startled by this circumstance, he looked around, and perceived that the trap-door,—which has been mentioned as communicating with a secret staircase,—was open. She tried to imagine herself “getting something,” to project herself as sitting down at a desk and writing, or as returning after her work to some pleasantly equipped and free and independent flat. Immediately he grasped the fact that there was drama here, probably the old drama of the fugitive. But Jack eluded their grasp. “Nothing.
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