She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. ‘Only you made me lose my temper, and—’ ‘I made you do so? Pah!’ Gerald at last succeeded in ripping the handkerchief from her grasp, and swiftly held it to her neck, oblivious to her now bloodied fingers clawing at his hand. She veiled her emotion by taking off his overcoat. Again, he would ask a few questions, and Ruth would answer them. Here are all our harlequins and columbines of the spoken and written drama.
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