That’s— that’s my private life. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. She was by his side. The elastic spirits of youth resumed their sway; and, before the coach stopped, his tears had ceased to flow.
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