The walls were pristine white and unmarked except for two sconces and a rather colorless Monet poster that had been framed in an expensive oak surround. Ain't he, Madam?'" "He is, indeed," replied the widow, fervently; "more—much more than that. “Don’t be too sure of that,” she answered enigmatically. I was curious about that. Mind, I, Baptist Kettleby, say so.
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